<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
<html xmlns:v="urn:schemas-microsoft-com:vml" xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:m="http://schemas.microsoft.com/office/2004/12/omml" xmlns="http://www.w3.org/TR/REC-html40"><head><meta name=Generator content="Microsoft Word 12 (filtered medium)"><style><!--
/* Font Definitions */
@font-face
{font-family:SimSun;
panose-1:2 1 6 0 3 1 1 1 1 1;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
@font-face
{font-family:Tahoma;
panose-1:2 11 6 4 3 5 4 4 2 4;}
@font-face
{font-family:"\@SimSun";
panose-1:2 1 6 0 3 1 1 1 1 1;}
@font-face
{font-family:Garamond;
panose-1:2 2 4 4 3 3 1 1 8 3;}
@font-face
{font-family:Verdana;
panose-1:2 11 6 4 3 5 4 4 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0in;
margin-bottom:.0001pt;
font-size:12.0pt;
font-family:"Times New Roman","serif";}
h3
{mso-style-priority:9;
mso-style-link:"Heading 3 Char";
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
font-size:13.5pt;
font-family:"Times New Roman","serif";
font-weight:bold;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:blue;
text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-priority:99;
color:purple;
text-decoration:underline;}
p
{mso-style-priority:99;
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
font-size:12.0pt;
font-family:"Times New Roman","serif";}
span.apple-style-span
{mso-style-name:apple-style-span;}
span.Heading3Char
{mso-style-name:"Heading 3 Char";
mso-style-priority:9;
mso-style-link:"Heading 3";
font-family:"Cambria","serif";
color:#4F81BD;
font-weight:bold;}
span.EmailStyle21
{mso-style-type:personal-reply;
font-family:"Calibri","sans-serif";
color:#1F497D;}
.MsoChpDefault
{mso-style-type:export-only;}
@page WordSection1
{size:8.5in 11.0in;
margin:1.0in 1.0in 1.0in 1.0in;}
div.WordSection1
{page:WordSection1;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext="edit" spidmax="1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext="edit">
<o:idmap v:ext="edit" data="1" />
</o:shapelayout></xml><![endif]--></head><body lang=EN-US link=blue vlink=purple><div class=WordSection1><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in 0in 0in'><p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'> List [mailto:list-bounces@gemela.org] <b>On Behalf Of </b>Barbara Simerka<br><b>Sent:</b> Saturday, March 02, 2013 2:27 PM<br><b>To:</b> comedias@comedias.org<br><b>Cc:</b> GEMELA<br><b>Subject:</b> [GEMELA] Laberinto journal Vol. 6 and CFP for Vol. 7<o:p></o:p></span></p></div><p class=MsoNormal><o:p> </o:p></p><p class=MsoNormal><br><br><br><span class=apple-style-span><span style='font-size:13.5pt;font-family:"Garamond","serif";color:#222222'>Dear colleagues:</span><o:p></o:p></span></p><div><p class=MsoNormal><span style='font-size:10.0pt;color:#222222'><o:p> </o:p></span></p></div><div><p class=MsoNormal><span style='font-size:13.5pt;font-family:"Garamond","serif";color:#222222'>The journal <i>Laberinto</i> has recently uploaded its 6th issue. Since <i>Laberinto </i>has open access, you can read this and all previous issues at <a href="http://laberintojournal.com/" target="_blank"><span style='color:#1155CC'>http://laberintojournal.com</span></a></span><span style='font-size:10.0pt;color:#222222'><o:p></o:p></span></p></div><h3 align=center style='mso-margin-top-alt:22.5pt;margin-right:0in;margin-bottom:18.75pt;margin-left:0in;text-align:center;mso-line-height-alt:12.0pt;background:white;vertical-align:middle'><span style='font-size:18.0pt;font-family:"Verdana","sans-serif";color:#333333'><o:p> </o:p></span></h3><h3 align=center style='mso-margin-top-alt:22.5pt;margin-right:0in;margin-bottom:18.75pt;margin-left:0in;text-align:center;mso-line-height-alt:12.0pt;background:white;vertical-align:middle'><span style='font-size:18.0pt;font-family:"Verdana","sans-serif";color:#333333'>Vol.6, 2012<o:p></o:p></span></h3><div id=table><div style='border-top:none;border-left:none;border-bottom:solid #CCCCCC 1.0pt;border-right:solid #CCCCCC 1.0pt;padding:0in 0in 0in 0in;display:table-row' id=row><div style='border:none;border-top:inset 1.0pt;padding:0in 0in 0in 0in;display:table-cell' id=col><p class=MsoNormal style='line-height:12.0pt;vertical-align:top'><span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'><a href="http://www.laberintojournal.com/currentissue/1_MirrorontheStage.pdf" target="_blank"><b><i><span style='color:#414958;text-decoration:none'>Mirror on the Stage: (Refl) Ekphrasis and Agustín Moreto’s La loa de Juan Rana</span></i></b></a><o:p></o:p></span></p></div><div style='border:none;border-top:inset 1.0pt;padding:0in 0in 0in 0in;display:table-cell' id=col><p align=center style='margin:0in;margin-bottom:.0001pt;text-align:center;line-height:12.0pt;background:white;vertical-align:middle'><span style='font-size:9.0pt;font-family:"Verdana","sans-serif";color:#666666'>Felipe E. Rojas,<br><em><span style='font-family:"Verdana","sans-serif"'>University of Chicago</span></em><o:p></o:p></span></p></div></div><div style='border-top:none;border-left:none;border-bottom:solid #CCCCCC 1.0pt;border-right:solid #CCCCCC 1.0pt;padding:0in 0in 0in 0in;display:table-row' id=row><div style='border:none;border-top:inset 1.0pt;padding:0in 0in 0in 0in;display:table-cell' id=col><p class=MsoNormal style='line-height:12.0pt;vertical-align:top'><span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'><a href="http://www.laberintojournal.com/currentissue/2_Zayas_Moriscas.pdf" target="_blank"><b><i><span style='color:#414958;text-decoration:none'>Morisca Acts of Resistance and the Subversive Agency of Isabel/Zelima in María de Zayas’s <em><span style='font-family:"Verdana","sans-serif"'>La esclava de su amante</span></em></span></i></b></a><o:p></o:p></span></p></div><div style='border:none;border-top:inset 1.0pt;padding:0in 0in 0in 0in;display:table-cell' id=col><p align=center style='margin:0in;margin-bottom:.0001pt;text-align:center;line-height:12.0pt;background:white;vertical-align:middle'><span lang=ES style='font-size:9.0pt;font-family:"Verdana","sans-serif";color:#666666'>Bradford Ellis, <br><em><span style='font-family:"Verdana","sans-serif"'>St. Norbert College</span></em></span><span style='font-size:9.0pt;font-family:"Verdana","sans-serif";color:#666666'><o:p></o:p></span></p></div></div><div style='border-top:none;border-left:none;border-bottom:solid #CCCCCC 1.0pt;border-right:solid #CCCCCC 1.0pt;padding:0in 0in 0in 0in;display:table-row' id=row><div style='border:none;border-top:inset 1.0pt;padding:0in 0in 0in 0in;display:table-cell' id=col><p class=MsoNormal style='line-height:12.0pt;vertical-align:top'><span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'><a href="http://www.laberintojournal.com/currentissue/3_ReedWarMachines.pdf" target="_blank"><b><i><span style='color:#414958;text-decoration:none'>War Machines: Instrumentality and Empire in Early Modern Spanish Drama</span></i></b></a><o:p></o:p></span></p></div><div style='border:none;border-top:inset 1.0pt;padding:0in 0in 0in 0in;display:table-cell' id=col><p align=center style='margin:0in;margin-bottom:.0001pt;text-align:center;line-height:12.0pt;background:white;vertical-align:middle'><span style='font-size:9.0pt;font-family:"Verdana","sans-serif";color:#666666'>Cory A. Reed,<br><em><span style='font-family:"Verdana","sans-serif"'>The University of Texas at Austin</span></em><o:p></o:p></span></p></div></div><div style='border-top:none;border-left:none;border-bottom:solid #CCCCCC 1.0pt;border-right:solid #CCCCCC 1.0pt;padding:0in 0in 0in 0in;display:table-row' id=row><div style='border:none;border-top:inset 1.0pt;padding:0in 0in 0in 0in;display:table-cell' id=col><p class=MsoNormal style='line-height:12.0pt;vertical-align:top'><span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'><a href="http://www.laberintojournal.com/currentissue/4_Baroque_Jungle.pdf" target="_blank"><b><i><span style='color:#414958;text-decoration:none'>From the Roman Baroque to the Indian Jungle: Francis Xavier’s<em><span style='font-family:"Verdana","sans-serif"'>Letters </span></em>from Goa, or the Construction of a God</span></i></b></a>. . <o:p></o:p></span></p></div><div style='border:none;border-top:inset 1.0pt;padding:0in 0in 0in 0in;display:table-cell' id=col><p class=MsoNormal style='line-height:12.0pt;vertical-align:top'><span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'>Frederic Conrod<o:p></o:p></span></p></div></div></div><div><p class=MsoNormal><o:p> </o:p></p><div><p class=MsoNormal><span style='font-size:10.0pt;color:#222222'><o:p> </o:p></span></p></div><div><p class=MsoNormal><span style='font-size:10.0pt;color:#222222'><o:p> </o:p></span></p></div><div><p class=MsoNormal><span style='font-size:10.0pt;color:#222222'><o:p> </o:p></span></p></div><div><p class=MsoNormal><span style='font-size:13.5pt;font-family:"Garamond","serif";color:#222222'>Regarding our next issue in 2013, we are circulating a call for papers. The topic of the next issue is "Nationalisms and Early Modern Hispanic Culture". If you are interested in submitting a manuscript for consideration, please read the information in the attachment. </span><span style='font-size:10.0pt;color:#222222'><o:p></o:p></span></p></div><div><p class=MsoNormal><span style='font-size:10.0pt;color:#222222'><o:p> </o:p></span></p></div><div><p class=MsoNormal><span style='font-size:13.5pt;font-family:"Garamond","serif";color:#222222'>Best wishes</span><span style='font-size:13.5pt;font-family:"Cambria","serif";color:#222222'> </span><span style='font-size:10.0pt;color:#222222'><o:p></o:p></span></p></div></div><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal><a href="https://webapp4.asu.edu/directory/person/1989895" target="_blank">Dr. Juan Pablo Gil-Osle</a><o:p></o:p></p><div><p class=MsoNormal>Assistant Professor<br>Arizona State University, Tempe<br><br>President of the Early Modern Image and Text Society<br><a href="http://www.emitsociety.com" target="_blank">http://www.emitsociety.com</a> <o:p></o:p></p><div><p class=MsoNormal><o:p> </o:p></p></div><div><div><p class=MsoNormal>Editor of Laberinto<o:p></o:p></p></div><div><p class=MsoNormal><a href="http://laberintojournal.com" target="_blank">http://laberintojournal.com</a><o:p></o:p></p></div></div><div><p class=MsoNormal><o:p> </o:p></p></div></div></div><p class=MsoNormal style='margin-bottom:12.0pt'><br><br><br>-- <br><br><br>Barbara Simerka, Ph.D.<br>Associate Professor of Spanish<br>Undergraduate Advisor, Department of Hispanic Languages and Literatures<br>Queens College<br>Flushing NY 11367<br>office: 718-997-5660<o:p></o:p></p></div></body></html>