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ASSOCIATION FOR HISPANIC CLASSICAL THEATER, INC. |
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ASSOCIATION FOR HISPANIC CLASSICAL THEATER, INC. |
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2007 AHCT SYMPOSIUM
ON GOLDEN AGE THEATER El Paso, TX March 1-3, 2007
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Wednesday, February 28th
9:00-12:00 AHCT Officers Meeting Chair, Barbara Mujica Boardroom 1:30-5:00 AHCT Board Meeting Chair, Barbara Mujica Boardroom 7:30 Chamizal National Memorial Theater El Narciso en su opinión, Guillén de Castro, Agustín Moreto, Brigham Young University, Directed by Dale Pratt Thursday, March 1st Session I (Pancho Villa) Chair: Sharon Voros 8:30 Donald D. Miller, University of St. Thomas “Castigos y venganzas - Figuras don juanescas teatrales frente a la ‘realidad histórica’” 9:00 Robert Lauer, University of Oklahoma “The Staging of Tirso de Molina’s El burlador de Sevilla at the Chamizal (1986-2005)” 9:30 William R. Blue, Pennsylvania State University " 'Amor es mercader': Don Gil de las calzas verdes" 10:00 Meredith Lyn Jeffers, University of Colorado at Boulder “A Marriage of Readings in Tirso de Molina’s El amor médico” Session II (Kohlberg) Chair: Angel Sánchez 9:00 Mindy E. Badía, Indiana University Southeast Title TBA 9:30 Don Larson, Ohio State University and Susan Paun de García, Dennison University “Staging Golden Age Plays in English at the Turn of the Millennium” Session III (Pancho Villa) Chair: Mindy Badía 10:45 Laura L. Vidler, United States Military Academy “Why Hillary Won’t Win: A Reconstructionist-Revisionist Production of Valor, agravio y mujer” 11:15 Maryrica Lottman, University of North Carolina, Charlotte “The Landscapes of Love in Valor, agravio y mujer as directed by Hugo Medrano” 11:45 María José Domínguez-Sullivan, Arizona State University “Juego de espejos, engaños y desengaños en la escena del balcón de Valor, agravio y mujer . . . Stripping Don Juan” Session IV (Kohlberg) Chair: Matt Stroud, Trinity University 10:45 Sharon Voros, U.S. Naval Academy "'Nuestro gallardo rey:' Edgy Royal Presence in La firmeza en la ausencia" 11:15 Angel Sánchez, Arizona State University “El rey don Pedro como institución real y su doble imagen en el teatro de Lope” 11:45 Robert Stone, United States Naval Academy “Like Mother, Like Daughter: The House of Tudor in Calderón and Coello” 12:15-2:00 Lunch Session V (Pancho Villa) Chair: Rob Bayliss, University of Kansas 2:00 Isabelle Therriault, University of Massachusetts at Amherst “El castigo sin venganza de Lope de Vega y el Auto de el-Rei Seleuco de Camões: La justicia paterna en el balance teórico de Platón” 2:30 Ysla Campbell, Universidad Autónoma de Ciudad Juárez “La estrella de Sevilla: perspectiva filosófica” Session VI (Kohlberg) Chair: Bonnie L. Gasior, California State University, Long Beach 2:00 Terri Carney, Butler University “The King and the Law in Lope de Vega’s Amor, pleito y desafío” 2:30 Beatriz Domínguez-Hermida, University of Colorado at Boulder “Gallinato frente a Felipe III: La desautorización del Sujeto Absoluto en la obra de Andrés de Claramonte, El nuevo Rey Gallinato” Session VII (Pancho Villa) Chair: Don Larson, Ohio State University 3:15 Lucas A. Marchante Aragón, College of William and Mary “Effeminizing the Nation: Performing Gender and Ethnicity in Jerónimo de Cáncer’s Los Putos” 3:45 Robert Bayliss, University of Kansas “Drama of a Nation in Crisis: Aesthetics, Effeminacy, and the Moral Debate of the Comedia” 4:15 Yuri Porras, Texas State University “Agustín Moreto’s Entremeses with Picaresque Backgrounds” Session VIII (Kohlberg) Chair: Chris Weimer, University of Oklahoma 3:15 Ruth Sánchez Imizcoz, Sewanee, The University of the South “Del entremés al sainete: de Moreto a Ramón de la Cruz” 3:45 Ryan Giles, University of Chicago “Charivari and the Theatrical Legacy of the Corbacho” 4:15 Jason Yancey, University of Arizona “Don Quijote Goes Genre Hopping: Adapting the Quijote and Shifting Stages of Readership”
7:30 Chamizal National Memorial La villana de Vallecas,
Tirso de Molina, Universidad de Puerto Rico, Directed by Dean Zayas Friday, March 2nd Session IX (Pancho Villa) Chair: Ezra Engling, Eastern Kentucky University 8:30 Bradley J. Nelson, Concordia University “Philology and Theatricality: The Performance of Literary Subjects in El alcalde de Zalamea” 9:00 Matthew D. Stroud, Trinity University “Martyrdom and Pornography” 9:30 Keith Budner, University of Chicago “Calderón’s Theatre of Modern Punishment” Session X (Kohlberg) Chair: Ruth Sánchez Imizcoz 8:30 Shirley Whitaker (emerita) University of North Carolina at Greensboro “A Mythological entremés by Quiñones de Benavente and a Mythological Painting by Velázquez." 9:00 Carmela V. Mattza, University of Chicago “‘¿Y qué quiere el señor rebozadito en casa?’ Pintura y engaño en el ‘Entremés del viejo celoso’” Session XI (Angus) 8:30-10:00 David Pasto, Oklahoma City University “Valor, Outrage, and Woman at Oklahoma City University” Respondents: Christopher Weimer, Oklahoma State University Amy Williamsen, University of Arizona Kerry Wilks, Wichita State University Session XII (Pancho Villa) Plenary Session: 10:15-12:00 Chair: Barbara Mujica, President AHCT Dawn L. Smith, Trent University (emerita) “Changing Perspectives on Tirso de Molina” Frederick De Armas, University of Chicago "Ekphrasis Onstage: Lope de Vega and Titian" Teresa S. Soufas, Tulane University “Just Space: Recourse in Angela de Azevedo's Comedias" 12:00-1:30 Lunch Session XIII (Pancho Villa) Chair: Kerry Wilks, Wichita State University 1:30 Christopher Weimer, Oklahoma State University “Tiresias Reborn: A Goddess’s Priest and a King’s Favorite in Calderón’s La hija del aire” 2:00 Jonathan Ellis, Oklahoma State University “The Figure of Circe and the Power of Knowledge: Competing Philosophies in Calderón’s El mayor encanto, el amor” 2:30 Anita Damjanovic, University of Chicago “El Clarín apocalíptico” Session XIV (Kohlberg) Chair: Maryrica Lottman, University of North Carolina, Charlotte 1:30 Bruce R. Burningham, Illinois State University “A Few Impertinent Questions About Performance and the Comedia” 2:00 Eric J. Kartchner, Colorado State University-Pueblo “The Art of Adaptation: La dama boba in Nashville” 2:30 Christopher D. Gascón, State University of New York College at Cortland “Transition as Movement, Image, and Metaphor in Teatro del Valle’s El astrólogo fingido (2006)” Session XV (Angus) Chair: TBA 3:15 Veronika Ryjik, Franklin and Marshall College “La reina divina: Isabel la Católica y la comunidad imaginada en el drama histórico de Lope de Vega El cerco de Santa Fe” 3:45 Jannine Montauban, University of Montana “’Descuidóse la poeta; ustedes se lo perdonen’: el gracioso en las comedias de Ana Caro” 4:15 Luzmila Camacho Platero, Utica Collage of Syracuse University “Las famosas asturianas: celebración de la mujer (varonil) y emasculación del hombre (cristiano)” Session XVI (Kohlberg) Chair: TBA 3:15 Patricia Kenworthy, Vassar College (emerita) “Trading Spaces: Fictional Location and the ‘Reversible’ Corral Stage” 3:45 Octavio Moreno Ramírez, Universidad Autónoma del Estado de México “Un instante en el teatro del Siglo de Oro español: Miguel de Cervantes y Lope de Vega” 4:15 Anthony J. Grubbs, Michigan State University “Changes in Latitudes, Changes in Attitudes: Comparing an Andalusian and a Menorcan Version of the Martyrdom of Saint Christopher” Session XVII (Angus) Chair: Donald T. Dietz, AHCT president emeritus 3:15 Brent W. Devos, University of Lethbridge “Polimetría y estructura dramática en El Tuzaní de la Alpujarra de Pedro Calderón de la Barca” 3:45 John Slater, University of Colorado, Boulder “Performing Imperceptibility: Towards a Modal Definition of Calderón’s Allegory” 4:15 Patricia Bentivegna, Saint Francis University (emerita) “Los estrenos de 1907: Calderón un cuarto de milenio después” Special Session: 5pm (location TBD) Informal Reading of: El juez de los divorcios. Directed by Paco Ramírez, University of California, Santa Cruz 7:30 Chamizal National Memorial La celosa de sí misma, Tirso de Molina. Teatro de Bellas Artes, Mexico, DF. Directed by Ignacio Escárcega. Saturday, March 3rd 8:30-9:30 (Pancho Villa) Association for Hispanic Classical Theater general meeting Chair: Barbara Mujica, President, AHCT Session XVIII (Pancho Villa) Chair: TBA 9:45 David Gómez-Torres, University of Wisconsin, Osh Kosh “Religión y nacionalismo en la Comedia.” 10:15 Matthew J. Dean, Dominican University “Staging the Three Hametes: From Tragicomedy to Burlesque” 10:45 Jonathan William Wade, Vanderbilt University “Convention and Dissension: Spanish in Portuguese Theater from Gil Vicente to Simão Machado” Session XIX (Kohlberg) Chair: TBA 9:45 Kathleen Costales, University of Dayton “ SEQ CHAPTER \h \r 1Translating Fuente Ovejuna in the Borderlands” 10:15 Elena García Martín, University of Utah “El Alcalde in Zalamea by Zalamea: A Popular Rendering of the Aurean Tradition” 10:45 Ben Gunter, Florida State University “Translating Locale: Replaying Cervantes' ‘Elección’ in 21st-Century Florida” Session XX (Pancho Villa) 11:30-12:30 Donald T. Dietz Keynote Address Chair: Barbara Mujica, President, AHCT Speaker: Karen Berman, Georgetown University, Artistic Director of Washington Women in Theatre "Translations, Transgressions and Reinterpretations: 21st Century Questions of Restaging Zayas" 12:45-1:45 AHCT Luncheon (Ballroom D) 7:30 Chamizal National Memorial Risas aqui y después, ¡Ganancia! Grupo la Hormiga, Lerma, Spain, Directed by Ricardo Revilla
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